Infinity Circle

Led Installation  | 70 x 70 x 11 cm I 27 x 27 x 4 inches


Falcone - Infinity Hexagone Bleu Blanc Rouge

Infinity Hexagone Bleu Blanc Rouge

Neon Installation | 88 x 100 x 11 cm I 34 x 9 x 4 inches


Falcone - Infinity Life is Beautiful

Infinity Life is Beautiful

Neon Installation


Spiral dream

Led Installation | 100 x 100 x 11 cm I 39 x 39 x 6



Falcone, 26-year-old artist designer, unveils his first series of works exclusively in the Mickaël Marciano galleries. He positions his creations between experience and contemplative work.

With the choice of LEDs, neon lights, optical fibers and mirrors as materials, his works are experienced live by the spectators. Playing with spaces between play of light and infinity effects, Falcone is directly in the lineage of kinetic artists.

Visual codes are shaken up and the fallibility of the eye is called into question: optical phenomena.

Living with the times, Falcone has noted the cyclical return to past trends (especially the 80s) and applies himself to working very pop motifs ranging from Star Wars to electric guitars.

Infinity Breach

Led Installation  | 151 x 51 x 16 cm I 59 x 19 x 4 inches




Porsche type 930

2022, Polished stainless steel base, gray stainless steel fuselage
24 × 85 × 38 cm | 9 2/5 × 33 1/2 × 15 in
Edition de 8

Ferrari F40

2020, Stainless steel plates and aluminum base
19 × 80 × 36 cm |7 1/2 × 31 1/2 × 14 1/5 in
Edition de 8

Dufilho - Bugatti la voiture noire

Bugatti - La voiture noire

80 x 36 x 19 cm I 31 x 14 x 7 inches


Dufilho - Ferrari 330 P4

Ferrari 330 P4

20 x 85 x 38 cm I 7 x 33 x 15 inches

Dufilho - Porsche 997 Targa

Porsche 997 Targa

20 x 80 x 36 cm I 7 x 31 x 14 inches

Dufilho - Bugatti Atlantic noire

Bugatti Atlantic noire

80 x 36 x 23 cm I 31 x 14 x 9 inches

Antoine Dufilho - Ferrari 250 GTO

Ferrari 250 GTO rouge

17 x 76 x 33 cm I 6 x 29 x 12 inches




It is by being aware of his roots that a man can grow. Antoine Dufilho knows them, his roots, which plunge into art and medicine. His work proves it.

As a child, Antoine Dufilho learned about the visual arts with his great-uncle, actor, painter and sculptor. Later, studying medicine allowed him to discover and dissect the complexity of human biomechanics. Architectural studies then led him to a new approach to sculpture, in particular to the work of the framework, which once laid bare reveals a succession of full and empty, bringing lightness and dynamism to the general form. .

Antoine Dufilho is self-taught, he experiments with different techniques such as molding and welding to gradually build the aesthetics of his art around this DNA that characterizes him; he began to devote himself fully to it in 2012.

His work consists in exposing an alternation of full and empty, materializing a skeleton, breaking down the shapes into successive layers. A movement is created by this sequenced representation. It is therefore a kinetic vision of a static object that the artist offers us, in particular thanks to the wandering of his observer, which allows a different interpretation depending on his point of observation. The dynamic effect is accentuated by an alternation of symmetries and asymmetries, causing an acceleration or deceleration effect.


The artist is moving forward and intends to advance his art with him, now freeing himself from the figurative, thanks to the abstract.

In fact, abstract art does without a model, only aesthetics and creativity count. It is therefore a new step for Antoine Dupilho, who used his passion for the automobile and his knowledge of architecture to learn sculpture, different techniques, to put into practice different concepts, and more generally, discover his style. He now wishes to apply his work on the representation of movement and lightness in the abstract, which will allow him to go even further in his art.

In his new creations, Antoine Dufilho offers us an optical illusion, furtively revealing the balance of a cube, to the vagaries of the movement of metallic hands.

Antoine Dufilho - Ferrari 250 GTO

Mercedes W196 FA Mate

15 x 76 x 33 cm I 5 x 29 x 12 inches

Antoine Dufilho - Ferrari 250 GTO

Jaguar E-type

80 x 36 x 18.5 cm I 31 x 14 x 7 inches

Dufilho - mercedes W196 ST

Mercedes W196 ST

76 x 33 x 15 cm I 30 x 13 x 6 inches


Antoine Dufilho - Liberté

La Liberté

150 x 44 x 44 cm I 59 x 17 x 17 inches

Dufilho - Fusée


75 x 32 x 32 cm I 29 x 12 x 12 inches

Antoine Dufilho - Train


12 x 162 x 12,5 cm I 4 x 63 x 5 inches


La muse

Oil on canvas – 97 x 146 cm I 38 x 57 inches

Amalgame vénitien

Oil on canvas – 73 x 116 cm I 28 x 45 inches


Oil on canvas – 167 x 97 cm I 65 x 38 inches

Grand galop

Oil on canvas – 130 x 97 cm I 51 x 37 inches


Roger SURAUD was born on October 31, 1938 in Saint Etienne, and died in June 2016.
Son and grandson of a sculptor, he was directed to training as an architect and won the first architecture prize from the Ecole des Beaux Arts for two consecutive years. But Roger Suraud did not resist the call of painting, and began exhibiting his paintings in various European salons from 1964.
Undisputed leader of philosophical painting, Suraud is one of the greatest masters of his time. His work, which expresses the eternal questioning of Man in relation to his creation, is an invitation to dream and meditation. Powerful and romantic, his paintings show us Man through his history; artistic, cultural, and spiritual. Suraud rewrites civilization, in its glory and its excess.
Suraud’s canvases appear in many private collections both in France and abroad (Europe, Asia, USA, Saudi Arabia, Morocco, Canada, etc.).

Le ballet

Oil on canvas – 100 x 81 cm I 39 x 31 inches

Soirée de gala

Oil on canvas – 73 x 60 cm I 28 x 23 inches


Oil on canvas – 100 x 81 cm I 39 x 31 inches

Les mystères de Venise 2

Oil on canvas – 97 x 146 cm I 38 x 57 inches

Le carnaval

Oil on canvas – 97 x 162  cm I 38 x 63 inches


Oil on canvas – 97 x 146 cm I 38 x 57 inches

La bibliothèque

Oil on canvas – 73 x 60 cm I 28 x 23 inches


Oil on canvas – 60 x 60  cm I 23 x 23 inches

Le violon

Bronze sculpture – hauteur 56 cm I height 22 inches


Arman - Oud kalthoum

Oud Kalthoum


Artist Edition 1/4

87 x 46 x 33 cm I 34 x 18 x 13 inches


Arman - accumulation de vis

Accumulation de vis

Mixed media

40 x 30 x 5 cm I 16 x 12 x 2 inches


Arman - Sliced Figure with Cello

Sliced figure with cello


138 x 55 x 41 cm I 51 x 21 x 16 inches


Arman - Inclusion de tubes de peinture

Inclusion de tubes de peinture

Inclusion and resin

52 x 35 x 6 cm I 20.5 x 14 x 2 inches




ARMAN is a recognized artist with more than 500 personal exhibitions dedicated to him. He has conducted research concerning our sentimental relationship to the object, its attachment to it, its accumulation, as well as its destruction, as seen in his series of charred violins

Armand Pierre Fernandez was born on November 17, 1928, in Nice and grew up in his father’s antique store. A brilliant student, he began painting at the age of 10 and joined the School of Decorative Arts in Nice in 1946. At 19, he met Yves Klein and Claude Pascal, who would become his two closest friends. It was the beginning of an exalted youth, his interest in philosophy and the arts of the Far East led him to the Louvre school in Paris in 1949.

Returning to Nice in 1951, his attraction to painting became clearer, under the influence of the Russian painter Serge Poliakoff and Nicolas de Staël. He decides, like Vincent Van Gogh, to sign with his first name: Armand. Influenced by the works of Kurt Schwitters and Jackson Pollock, he tried his hand at stamping and exhibited the first in Paris in 1956. In 1958, during an exhibition at Iris Clert’s, the painter noticed an error imprint on the invitation card: Armand was written without “d”) and it will become his signature.

Bougeoir aux Cuillères


35 x 43 cm I 13 x 16 inches


Le Gambit


42 x 27 x 27 cm I 16 x 10 x 10 inches


Arman - Inclusion Petits ponts

Inclusion Petits Ponts

Inclusion and resin

42 x 29 x 9 cm I 16.5 x 11 x 3,5 inches


Violon à Venise


70 x 30 x 12 cm I 27 x 11 x 4 inches




31 x 35 cm I 12 x 13 inches




Mixed media on canvas – 130 x 130 cm I 51 x 51 inches

Bonnec - Nuance de Bleu

Nuance de Bleu

Mixed media on canvas – 80 x 80 cm I 31 x 31 inches

Bonnec - Con Grazia

Con Grazia

Mixed media on canvas – 135 x 220 cm I 53 x 86 inches

Bonnec - Con Allegrezza

Con Allegrezza

Mixed media on canvas – 130 x 130 cm I 51 x 51 inches

 Bonnec - Fusion


Mixed media on canvas – 100 x 100 cm I 39 x 39 inches

Bonnec - amoroso


Mixed media on canvas – 125 x 255 cm I 49 x 100 inches



Bonnec are a truly exceptional duo! Internationally renowned, their paintings are present in collections around the world. They have the honors of the world press and the world of the Arts.

“Tables borrowed from poetry and freshness”. KNOWLEDGE OF THE ARTS

“Bonnec or the Art of painting”. ME MAURICE RHEIMS

“Internationally recognized, Bonnec smile in their disarmingly charming allegories”. THE TIME of CHICAGO

“Expressed by the strongest chromatic … Transparency of an air that we would always like to be able to breathe”. ARTSNEWS

“Bonnec, this four-handed duo of colors and poetry” GAZETTE DROUOT

“An atmospheric transparency … And it is so beautiful that one is quite unable to resist”. J. Mélèze. PARISCOPE

“For more luminosity and cheerfulness too, the tender colors always chasing away the shadows of the painting”. RogerBouillot L’OEIL

“Good, happy sun, the one that lights up their paintings.” ROBERT SABATIER

“My talented friends Bonnec”. RAYMOND DEVOS

“You are poets!” MARCEL MARCEAU


 Bonnec - Crescendo


Mixed media on canvas – 130 x 130 cm I 51 x 51 inches

Bonnec - La Goutte d'Eau

La Goutte d'Eau

Mixed media on canvas – 80 x 80 cm I 31 x 31 inches

 Bonnec - Crescendo


Mixed media on canvas – 130 x 130 cm I 51 x 51 inches

Bonnec - Concerto Grosso

Concerto Grosso

Mixed media on canvas – 187 x 226 cm I 73 x 88 inches

Bonnec - Affetto


Mixed media on canvas – 130 x 130 cm I 51 x 51 inches


Autoportrait, le poilu

Bronze – 44 x 16 x 11 cm I 17 x 6 x 4 inches

Expansion, sein

Résine polyuréthane -17 x 54 x 24 cm I 6 x 21 x 9 inches

Autoportrait, le poilu

Bronze – 44 x 16 x 11 cm I 17 x 6 x 4 inches

Autoportrait, le poilu

Bronze – 44 x 16 x 11 cm I 17 x 6 x 4 inches




César, French painter and member of the Nouveau Réalisme movement, is best known for his use of compressed cars and recycled metals. Although his work shows similarities to artists like Andy Warhol in his appropriation of commercial products, Caesar is more interested in the formal traditions of modern sculpture, as for example through the work of Alberto Giacometti. Born César Baldaccini on January 11, 1921 in Marseilles to Italian parents, he studied at the École des Beaux-Arts in Paris from which he graduated in 1948. “Despite my classical academic education, my vision with my work on scrap metal”, declares he does. “I entered the industrial world and learned to approach recovered materials according to their own language.” The artist is behind the creation of the bronze trophies awarded each year during the Caesar ceremony. He represented France at the Venice Biennale in 1995 and today his works can be found in the collections of major institutions around the world such as the Center Pompidou in Paris, the Tate Gallery in London, the MoMA in New York.