FALCONE

Infinity Rainbow

Neon Installation – 59 x 35 x 7 inches

Available

Falcone - Infinity flower

Infinity flower

Neon Installation

Available

Infinity Rectangle

Led Installation | 21 x 44 x 4 inches

Available

Infinity Spirals

Led Installation | 39 x 39 x 6 inches

Available

BIOGRAPHIE

Falcone, 26-year-old artist designer, unveils his first series of works exclusively in the Mickaël Marciano galleries. He positions his creations between experience and contemplative work.

With the choice of LEDs, neon lights, optical fibers and mirrors as materials, his works are experienced live by the spectators. Playing with spaces between play of light and infinity effects, Falcone is directly in the lineage of kinetic artists.

Visual codes are shaken up and the fallibility of the eye is called into question: optical phenomena.

Living with the times, Falcone has noted the cyclical return to past trends (especially the 80s) and applies himself to working very pop motifs ranging from Star Wars to electric guitars.

Falcone - Infinity Life is Beautiful

Infinity Life is Beautiful

Neon Installation

Available

Infinity Rectangle Dream

Led Installation| 35 x 66 x 4 inches

Available

Infinity Circle

Led Installation  | 27 x 27 x 4 inches

Available

Infinity Sphères

Installation et  gravure lumineuse    | 100x100x11 cm

Disponible

Infinity Hearts

Led Installation – 39 x 39 x 6 inches

Available

Falcone - Infinity Hexagone Bleu Blanc Rouge

Infinity Hexagone Bleu Blanc Rouge

Neon Installation | 34 x 9 x 4 inches

Available

Infinity Circle Dream

Led Installation | 47 x 47 x 4 inches

Available

Infinity Squares Neons Red

Installation néon | 100x100x11 cm

Disponible

Falcone - Infinity Guitar

Infinity Guitar

Led and guitar installation| 55 x 27 x 4 inches

Available

Infinity Breach

Led Installation  | 59 x 19 x 4 inches

Available

Hommage à Malevitch

Led installation  | 39 x 39 x 4 inches

Available

Infinity Guns

Installation led et revolver | 140x70x11 cm

Disponible

Infinity Square

Led Installation | 27 x 27 x 4 inches

Available

Falcone - Infinity M16 Dream

Infinity M16 Dream

Led Installation | 47 x 47 x 4 inches

Available

DUFILHO

CARS

Dufilho - Bugatti Atlantic noire

Bugatti Atlantic noire

31 x 14 x 9 inches

Avalaible

Dufilho - Bugatti la voiture noire

Bugatti - La voiture noire

31 x 14 x 7 inches

Avalaible

 

Dufilho - Lamborghini Aventador

Lamborghini Aventador

31 x 13 x 4 inches

Available

Dufilho - Ferrari 330 P4

Ferrari 330 P4

7 x 33 x 15 inches

Available

BIOGRAPHY

| ANTOINE DUFILHO | 

 

It is by being aware of his roots that a man can grow. Antoine Dufilho knows them, his roots, which plunge into art and medicine. His work proves it.

As a child, Antoine Dufilho learned about the visual arts with his great-uncle, actor, painter and sculptor. Later, studying medicine allowed him to discover and dissect the complexity of human biomechanics. Architectural studies then led him to a new approach to sculpture, in particular to the work of the framework, which once laid bare reveals a succession of full and empty, bringing lightness and dynamism to the general form. .

Antoine Dufilho is self-taught, he experiments with different techniques such as molding and welding to gradually build the aesthetics of his art around this DNA that characterizes him; he began to devote himself fully to it in 2012.

His work consists in exposing an alternation of full and empty, materializing a skeleton, breaking down the shapes into successive layers. A movement is created by this sequenced representation. It is therefore a kinetic vision of a static object that the artist offers us, in particular thanks to the wandering of his observer, which allows a different interpretation depending on his point of observation. The dynamic effect is accentuated by an alternation of symmetries and asymmetries, causing an acceleration or deceleration effect.

 

DISCARD THE FIGURATIVE
The artist is moving forward and intends to advance his art with him, now freeing himself from the figurative, thanks to the abstract.

In fact, abstract art does without a model, only aesthetics and creativity count. It is therefore a new step for Antoine Dupilho, who used his passion for the automobile and his knowledge of architecture to learn sculpture, different techniques, to put into practice different concepts, and more generally, discover his style. He now wishes to apply his work on the representation of movement and lightness in the abstract, which will allow him to go even further in his art.

In his new creations, Antoine Dufilho offers us an optical illusion, furtively revealing the balance of a cube, to the vagaries of the movement of metallic hands.

Dufilho - Porsche 997 Targa

Porsche 997 Targa

7 x 31 x 14 inches

Available

Dufilho - Mercedes W196

Mercedes W196 noire

11 x 70 x 30 cm

Disponible

Dufilho - mercedes W196 ST

Mercedes W196 ST

76 x 33 x 15 cm

Disponible

Antoine Dufilho - Ferrari 250 GTO

Ferrari 250 GTO rouge

6 x 29 x 12 inches

Avalaible

OTHERS

Antoine Dufilho - Tour Eiffel

Tour Eiffel

Available

Antoine Dufilho - Chrystler tower

Le Chrysler

Available

Antoine Dufilho - Train

Train

4 x 63 x 5 inches

Available

Dufilho - Fusée

Fusée

29 x 12 x 12 inches

Available

Antoine Dufilho - Liberté

La Liberté

59 x 17 x 17 inches

Available

SURAUD

La muse

Oil on canvas – 38 x 57 inches

Amalgame vénitien

Oil on canvas – 28 x 45 inches

Souvenirs

Oil on canvas – 65 x 38 inches

Hommage aux compositeurs

Oil on canvas – 38 x 63 inches

BIOGRAPHY

Roger SURAUD was born on October 31, 1938 in Saint Etienne, and died in June 2016.
Son and grandson of a sculptor, he was directed to training as an architect and won the first architecture prize from the Ecole des Beaux Arts for two consecutive years. But Roger Suraud did not resist the call of painting, and began exhibiting his paintings in various European salons from 1964.
Undisputed leader of philosophical painting, Suraud is one of the greatest masters of his time. His work, which expresses the eternal questioning of Man in relation to his creation, is an invitation to dream and meditation. Powerful and romantic, his paintings show us Man through his history; artistic, cultural, and spiritual. Suraud rewrites civilization, in its glory and its excess.
Suraud’s canvases appear in many private collections both in France and abroad (Europe, Asia, USA, Saudi Arabia, Morocco, Canada, etc.).

Le ballet

Oil on canvas – 39 x 31 inches

Soirée de gala

Oil on canvas – 28 x 23 inches

Folie

Oil on canvas – 39 x 31 inches

Les mystères de Venise 2

Oil on canvas – 38 x 57 inches

Le carnaval

Oil on canvas – 38 x 63 cm

Symphonie

Oil on canvas – 38 x 57 inches

La bibliothèque

Oil on canvas – 28 x 23 inches

Masques

Oil on canvas – 23 x 23 inches

Poésie

Oil on canvas – 39 x 31 inches

Grand galop

Oil on canvas – 51 x 37 inches

Le violon

Bronze sculpture- Height 22 inches

ARMAN

Arman - Casacade de Violon

Cascade de Violons

Bronze

 28 x 20 x 13 inches

Available

Violon Rothschild

Bronze

21 x 9 x 9 inches

Not Available

Arman - Sliced Figure with Cello

Sliced figure with cello

Bronze

51 x 21 x 16 inches

Available

Arman - Hommage à Yves Klein violon bleu

Hommage à Klein Violon bleu

Mixed media

24 x 9 x 9 inches

Not Available

BIOGRAPHY

|ARMAN|

ARMAN is a recognized artist with more than 500 personal exhibitions dedicated to him. He has conducted research concerning our sentimental relationship to the object, its attachment to it, its accumulation, as well as its destruction, as seen in his series of charred violins

Armand Pierre Fernandez was born on November 17, 1928, in Nice and grew up in his father’s antique store. A brilliant student, he began painting at the age of 10 and joined the School of Decorative Arts in Nice in 1946. At 19, he met Yves Klein and Claude Pascal, who would become his two closest friends. It was the beginning of an exalted youth, his interest in philosophy and the arts of the Far East led him to the Louvre school in Paris in 1949.

Returning to Nice in 1951, his attraction to painting became clearer, under the influence of the Russian painter Serge Poliakoff and Nicolas de Staël. He decides, like Vincent Van Gogh, to sign with his first name: Armand. Influenced by the works of Kurt Schwitters and Jackson Pollock, he tried his hand at stamping and exhibited the first in Paris in 1956. In 1958, during an exhibition at Iris Clert’s, the painter noticed an error imprint on the invitation card: Armand was written without “d”) and it will become his signature.

Arman - Violon Brulé

Violon Phoenix

Mixed media

24 x 13 x 6 inches

Available

Bougeoir aux Cuillères

Bronze – 13 x 16 inches

Available

Le Gambit

Resin – 16 x 10 x 10 inches

Available

Violon à Venise

Bronze – 27 x 11 x 4 inches

Available

Ukulele

Bronze – 12 x 13 inches

Available

Arman - Guitare portugaise

Guitare Portugaise

Bronze

35 x 12 x 3 inches

Available

Bonnec

Allegretto

Mixed media on canvas – 51 x 51 inches

Bonnec - Nuance de Bleu

Nuance de Bleu

Mixed media on canvas – 80 x 80 inches

Bonnec - Con Grazia

Con Grazia

Mixed media on canvas – 53 x 86 inches

Bonnec - Con Allegrezza

Con Allegrezza

Mixed media on canvas- 51 x 51 inches

 Bonnec - Fusion

Fusion

Mixed media on canvas – 39 x 39 inches

Bonnec - amoroso

Amoroso

Mixed media on canvas – 49 x 100 inches

BIOGRAPHY

| BONNEC |

Bonnec are a truly exceptional duo! Internationally renowned, their paintings are present in collections around the world. They have the honors of the world press and the world of the Arts.

“Tables borrowed from poetry and freshness”. KNOWLEDGE OF THE ARTS

“Bonnec or the Art of painting”. ME MAURICE RHEIMS

“Internationally recognized, Bonnec smile in their disarmingly charming allegories”. THE TIME of CHICAGO

“Expressed by the strongest chromatic … Transparency of an air that we would always like to be able to breathe”. ARTSNEWS

“Bonnec, this four-handed duo of colors and poetry” GAZETTE DROUOT

“An atmospheric transparency … And it is so beautiful that one is quite unable to resist”. J. Mélèze. PARISCOPE

“For more luminosity and cheerfulness too, the tender colors always chasing away the shadows of the painting”. RogerBouillot L’OEIL

“Good, happy sun, the one that lights up their paintings.” ROBERT SABATIER

“My talented friends Bonnec”. RAYMOND DEVOS

“You are poets!” MARCEL MARCEAU

 

 Bonnec - Crescendo

Crescendo

Mixed media on canvas – 51 x 51 inches

Bonnec - La Goutte d'Eau

La Goutte d'Eau

Mixed media on canvas – 31 x 31 inches

 Bonnec - Crescendo

Cantabile

Mixed media on canvas – 51 x 51 inches

Bonnec - Concerto Grosso

Concerto Grosso

Mixed media on canvas – 73 x 88 inches

Bonnec - Affetto

Affetto

Mixed media on canvas – 51 x 51 inches

CESAR

Autoportrait, le poilu

Bronze – 17 x 6 x 4 inches

Expansion, sein

Résine polyuréthane – 6 x 21 x 9 inches

Autoportrait, le poilu

Bronze – 17 x 6 x 4 inches

Autoportrait, le poilu

Bronze–  17 x 6 x 4 inches

 

BIOGRAPHY

 

César, French painter and member of the Nouveau Réalisme movement, is best known for his use of compressed cars and recycled metals. Although his work shows similarities to artists like Andy Warhol in his appropriation of commercial products, Caesar is more interested in the formal traditions of modern sculpture, as for example through the work of Alberto Giacometti. Born César Baldaccini on January 11, 1921 in Marseilles to Italian parents, he studied at the École des Beaux-Arts in Paris from which he graduated in 1948. “Despite my classical academic education, my vision with my work on scrap metal”, declares he does. “I entered the industrial world and learned to approach recovered materials according to their own language.” The artist is behind the creation of the bronze trophies awarded each year during the Caesar ceremony. He represented France at the Venice Biennale in 1995 and today his works can be found in the collections of major institutions around the world such as the Center Pompidou in Paris, the Tate Gallery in London, the MoMA in New York.