Porsche type 930

2022, Polished stainless steel base, gray stainless steel fuselage
24 × 85 × 38 cm | 9 2/5 × 33 1/2 × 15 in
Edition de 8

Ferrari F40

2020, Stainless steel plates and aluminum base
19 × 80 × 36 cm |7 1/2 × 31 1/2 × 14 1/5 in
Edition de 8

Dufilho - Bugatti la voiture noire

Bugatti - La voiture noire

80 x 36 x 19 cm I 31 x 14 x 7 inches


Dufilho - Ferrari 330 P4

Ferrari 330 P4

20 x 85 x 38 cm I 7 x 33 x 15 inches

Dufilho - Porsche 997 Targa

Porsche 997 Targa

20 x 80 x 36 cm I 7 x 31 x 14 inches

Dufilho - Bugatti Atlantic noire

Bugatti Atlantic noire

80 x 36 x 23 cm I 31 x 14 x 9 inches

Antoine Dufilho - Ferrari 250 GTO

Ferrari 250 GTO rouge

17 x 76 x 33 cm I 6 x 29 x 12 inches




It is by being aware of his roots that a man can grow. Antoine Dufilho knows them, his roots, which plunge into art and medicine. His work proves it.

As a child, Antoine Dufilho learned about the visual arts with his great-uncle, actor, painter and sculptor. Later, studying medicine allowed him to discover and dissect the complexity of human biomechanics. Architectural studies then led him to a new approach to sculpture, in particular to the work of the framework, which once laid bare reveals a succession of full and empty, bringing lightness and dynamism to the general form. .

Antoine Dufilho is self-taught, he experiments with different techniques such as molding and welding to gradually build the aesthetics of his art around this DNA that characterizes him; he began to devote himself fully to it in 2012.

His work consists in exposing an alternation of full and empty, materializing a skeleton, breaking down the shapes into successive layers. A movement is created by this sequenced representation. It is therefore a kinetic vision of a static object that the artist offers us, in particular thanks to the wandering of his observer, which allows a different interpretation depending on his point of observation. The dynamic effect is accentuated by an alternation of symmetries and asymmetries, causing an acceleration or deceleration effect.


The artist is moving forward and intends to advance his art with him, now freeing himself from the figurative, thanks to the abstract.

In fact, abstract art does without a model, only aesthetics and creativity count. It is therefore a new step for Antoine Dupilho, who used his passion for the automobile and his knowledge of architecture to learn sculpture, different techniques, to put into practice different concepts, and more generally, discover his style. He now wishes to apply his work on the representation of movement and lightness in the abstract, which will allow him to go even further in his art.

In his new creations, Antoine Dufilho offers us an optical illusion, furtively revealing the balance of a cube, to the vagaries of the movement of metallic hands.

Antoine Dufilho - Ferrari 250 GTO

Mercedes W196 FA Mate

15 x 76 x 33 cm I 5 x 29 x 12 inches

Antoine Dufilho - Ferrari 250 GTO

Jaguar E-type

80 x 36 x 18.5 cm I 31 x 14 x 7 inches

Dufilho - mercedes W196 ST

Mercedes W196 ST

76 x 33 x 15 cm I 30 x 13 x 6 inches


Antoine Dufilho - Liberté

La Liberté

150 x 44 x 44 cm I 59 x 17 x 17 inches

Dufilho - Fusée


75 x 32 x 32 cm I 29 x 12 x 12 inches

Antoine Dufilho - Train


12 x 162 x 12,5 cm I 4 x 63 x 5 inches