THIERRY FEUZ

Thierry Feuz - Silent Winds Amazone

Silent Winds Amazone

Lacquer and acrylic on canvas
100 x 80 cm | 39 2/5 × 31 1/2 in
Unique

Thierry Feuz - Golden Winds Hermes

Golden Winds Hermes

Lacquer and acrylic on canvas
100 x 80 cm | 39 2/5 × 31 1/2 in
Unique

BIOGRAPHY

Thierry Feuz was born in Vienna in 1968. After graduating from the University of Art and Design (HEAD) and the University of the Künste in Berlin, he decides to leave his native country for Switzerland where he now lives and works. His creations play on the contrast that usually opposes the abstract to the figurative.  Once linked, both allow a free interpretation of the represented subject. Thierry Feuz creates daring and bewitching colors through balanced compositions.

In his canvases, no traditional perspective is used; this is replaced by the blur or sharpness of certain elements.  

More than simple canvases, Thierry Feuz’s realizations are real incentives to escape. Through his galaxies and his flowered nanoworld, Feuz opens the doors of a colorful biomorphic imagination.

Thierry Feuz’s artistic production revolves around themes that he declines in series.

Thierry Feuz - Silent Winds Panorama Majestic

Silent Winds Panorama Majestic

Lacquer and acrylic on canvas
100 x 160 cm | 39 2/5 × 63 in
Unique

The artist starts from an image and then develops on the following paintings a universe that is intrinsically linked to it. In this way, he conceives his series as a succession of enlargements of the original image.

When he achieves the most successful approach, the image is no longer a figuration but an abstraction. 

Thierry Feuz equates this artistic process to the use of a microscope. This scientific corollary allows him to re-examine and reinvent the iconography of classical conceptions of nature.

From this pictorial imaginary stems an organic psychedelic microcosm that can be admired in his “Supernatural” and “Psychotropical” series.

Through his “Technicolor” series, Thierry Feuz wanted to make his viewers aware of the total absence of figurative elements. He invites him in this way to make the emptiness of a world saturated by images. To achieve this, the artist uses a multitude of colored horizontal lines.

Thierry Feuz questions through this series the presence and impact of color in our universe. As in his previous works, the artist gives primacy to the emotional aspect.

Thierry Feuz - Geometry of Miracle

Geometry of miracle

Lacquer and acrylic on canvas
200 x 160 x 4 cm | 78 7/10 × 63 × 1 3/5 in
Unique

Thierry Feuz - Silent Winds Arcadia

Silent Winds Arcadia

Lacquer and acrylic on canvas
200 x 160 x 4 cm | 78 7/10 × 63 × 1 3/5 in
Unique

Thierry Feuz - Technicolor Double Panorama Corniche

Technicolor double panorama corniche

Lacquer and acrylic on canvas
50 x 180 x 12 cm (x2) | 19 7/10 x 70 9/10 x 4 7/10 in (x2)
Unique

Thierry Feuz - Technicolor Horizon

Technicolor horizon

Lacquer and acrylic on canvas
140 x 170 x 12 cm | 66 9/10 × 55 1/10 × 4 7/10 in
Unique

YVES CESAR ARMAN

Controller Freak

Mixed media on canvas – 120 x 150 cm I 47 x 59 inches

Fight for Control

Mixed media on canvas – 120 x 150 cm I 47 x 59 inches

Spaced Out

Mixed media on canvas – 120 x 150 cm I 47 x 59 inches

Play Date

Mixed media on canvas – 90 x 130 cm I 35 x 51 inches

Remote City

Mixed media on canvas – 90 x 130 cm I 35 x 51 inches

Habibi

Mixed media on canvas – 120 x 150 cm I 47 x 59 inches

Om

Mixed media on canvas – 120 x 150 cm I 47 x 59 inches

Gamer's Delight

Mixed media on canvas – 120 x 150 cm I 47 x 59 inches

KLASEN

Container bâché bleu

Screen printing, tarpaulin and rope on aluminum panel

130 x 100 cm I 51 x 39 inches

Green car / Red machine with nude

Acrylic on canvas

130 x 97 cm I 51 x 38 inches

Container bâché rouge

Screen printing, tarpaulin and rope on aluminum panel

100 x 130 cm I 39 x 51 inches

BIOGRAPHY

Peter Klasen is a German painter, photographer and sculptor, born in Lübeck in 1935.
A master of contrasts, he is fascinated by the hostility of the modern city and by representations of the body as a commodity.

From 1956 to 1959, Peter Klasen studied at the School of Fine Arts in Berlin, then an avant-garde school. In 1959, winner of the German Industry Patronage Prize, he obtained a scholarship and settled in Paris.

Peter Klasen is, in the 60s, one of the founders of the artistic movement called New Figuration or Figuration Narrative. Then he developed a personal visual language: he explored and reinterpreted the signs of our urban environment and, more generally, of our society. He is interested in images exploited by the mass media and denounces, through his pictorial metaphors, the standardization of the Western living environment.

In the 1970s, Peter Klasen finally found success. He paints his “binary paintings”, based on the opposite representation of a fragment of a human body and an object, painted or integrated, revealing his anguish in the face of the split of the worlds of “being” and “having it”. “. He thus finds a balance between what is sensual, and seems pleasant to him, and what belongs to the industrial world, which he finds repugnant.

FALCONE

Infinity Circle

Led Installation  | 70 x 70 x 11 cm I 27 x 27 x 4 inches

Available

Falcone - Infinity Hexagone Bleu Blanc Rouge

Infinity Hexagone Bleu Blanc Rouge

Neon Installation | 88 x 100 x 11 cm I 34 x 9 x 4 inches

Available

Falcone - Infinity Life is Beautiful

Infinity Life is Beautiful

Neon Installation

Available

Spiral dream

Led Installation | 100 x 100 x 11 cm I 39 x 39 x 6

Available

BIOGRAPHIE

Falcone, 26-year-old artist designer, unveils his first series of works exclusively in the Mickaël Marciano galleries. He positions his creations between experience and contemplative work.

With the choice of LEDs, neon lights, optical fibers and mirrors as materials, his works are experienced live by the spectators. Playing with spaces between play of light and infinity effects, Falcone is directly in the lineage of kinetic artists.

Visual codes are shaken up and the fallibility of the eye is called into question: optical phenomena.

Living with the times, Falcone has noted the cyclical return to past trends (especially the 80s) and applies himself to working very pop motifs ranging from Star Wars to electric guitars.

Infinity Breach

Led Installation  | 151 x 51 x 16 cm I 59 x 19 x 4 inches

Available

DUFILHO

Dufilho - Porsche type 930

Porsche type 930

2022, Polished stainless steel base, gray stainless steel fuselage
24 × 85 × 38 cm | 9 2/5 × 33 1/2 × 15 in
Edition of 8

Ferrari F40

2020, Stainless steel plates and aluminum base
19 × 80 × 36 cm | 7 1/2 × 31 1/2 × 14 1/5 in
Edition of 8

Dufilho - Bugatti la voiture noire

Bugatti - La voiture noire

Polished stainless steel base, gray stainless steel fuselage
80 x 36 x 19 cm I 31 x 14 x 7 in
Edition of 8

Dufilho - mercedes W196 ST

Mercedes W196 ST

Polished stainless steel base, gray stainless steel fuselage
76 x 33 x 15 cm I 30 x 13 x 6 in
Edition of 8

Dufilho - Porsche 911

Porsche 911

Polished stainless steel base, gray stainless steel fuselage
20 x 80 x 36 | 7.8 x 31 x 14 in
Edition of 8

Dufilho - Porsche 997 Targa

Porsche 997 Targa

Polished stainless steel base, gray stainless steel fuselage
20 x 80 x 36 cm I 7 x 31 x 14 in
Edition of 8

Antoine Dufilho - Ferrari 250 GTO

Mercedes W196 FA Mate

Polished stainless steel base, gray stainless steel fuselage
15 x 76 x 33 cm I 5 x 29 x 12 in
Edition of 8

Antoine Dufilho - Ferrari 250 GTO

Jaguar E-type

Polished stainless steel base, gray stainless steel fuselage
80 x 36 x 18.5 cm I 31 x 14 x 7 in
Edition of 8

BIOGRAPHY

| ANTOINE DUFILHO | 

 

It is by being aware of his roots that a man can grow. Antoine Dufilho knows them, his roots, which plunge into art and medicine. His work proves it.

As a child, Antoine Dufilho learned about the visual arts with his great-uncle, actor, painter and sculptor. Later, studying medicine allowed him to discover and dissect the complexity of human biomechanics. Architectural studies then led him to a new approach to sculpture, in particular to the work of the framework, which once laid bare reveals a succession of full and empty, bringing lightness and dynamism to the general form. .

Antoine Dufilho is self-taught, he experiments with different techniques such as molding and welding to gradually build the aesthetics of his art around this DNA that characterizes him; he began to devote himself fully to it in 2012.

His work consists in exposing an alternation of full and empty, materializing a skeleton, breaking down the shapes into successive layers. A movement is created by this sequenced representation. It is therefore a kinetic vision of a static object that the artist offers us, in particular thanks to the wandering of his observer, which allows a different interpretation depending on his point of observation. The dynamic effect is accentuated by an alternation of symmetries and asymmetries, causing an acceleration or deceleration effect.

DISCARD THE FIGURATIVE

The artist is moving forward and intends to advance his art with him, now freeing himself from the figurative, thanks to the abstract.

In fact, abstract art does without a model, only aesthetics and creativity count. It is therefore a new step for Antoine Dupilho, who used his passion for the automobile and his knowledge of architecture to learn sculpture, different techniques, to put into practice different concepts, and more generally, discover his style. He now wishes to apply his work on the representation of movement and lightness in the abstract, which will allow him to go even further in his art.

In his new creations, Antoine Dufilho offers us an optical illusion, furtively revealing the balance of a cube, to the vagaries of the movement of metallic hands.

JOY

Joy - Popy can Love

Popy Can - Love

Collage and painting on bronze
63 x 33 x 33 cm I 24 x 12 x 12 in
Unique
Popy can Head in the clouds

Popy can - Hokusai top blanc

Collage and painting on resin
141 x 67 x 67 cm I 55 x 26 x 26 in
Unique
Joy - Popy can Nrew York

Popy Can - New York

Collage and painting on bronze
63 x 33 x 33 cm I 24 x 12 x 12 in
Unique
Joy - Jimmy Hendrix

Popy Can - Jimmy Hendrix

Collage and painting on resin
141 x 67 x 67 cm I 55 x 26 x 26 in
Unique

BIOGRAPHY

|JOY

Joy ‘was born in Martigues, France in 1981. From an early age, she has been drawn to art and creation. She studied fashion design and saw her work winning numerous awards and exhibiting in various places. After a few years as a fashion designer and stylist, seeing her products sold by the biggest brands, she decided to devote herself to art, her true passion.

Joy ‘reappropriates the can, product and universal symbol of our society, to sculpt it in bronze, dress it in bright colors and multiply references to Pop Art and rock culture. It is one of the most recognizable objects in the world. The can is present on every continent, in every house, in every hand, all generations, social classes, religions combined. The goal is always the same: to drink it and empty it. But when it is empty, crumpled and folded, it continues to exist. Joy ‘invites us to look at this omnipresent object in our daily life from an artistic point of view. Between Pop Art and New Realism, the Popy Can is a link between everyone because everyone can identify with it.

The can becomes POPY CAN terribly alluring and happy work of art.

Joy - Marie Antoinette

Popy Can - Hokusai top blanc

Collage and painting on resin
141 x 67 x 67 cm I 55 x 26 x 26 in
Unique

Joy - Marie Antoinette

Popy Can - Like a bee top noir

Collage and painting on resin
141 x 67 x 67 cm I 55 x 26 x 26 in
Unique

Joy - Marie Antoinette

Rick & Morty

Collage and painting on resin
141 x 67 X 67 cm I 55 x 26 x 26 in
Unique

Popy can Head in the clouds

Popy can - Head in the clouds

Collage and painting on bronze
33 x 13 x 13 cm I 12 x 5 x 5 in
Unique

Joy - Popy can May 68

Popy can - May 68

Collage and painting on bronze
33 x 13 x 13 cm I 12 x 5 x 5 in
Unique

Joy - Popy Can Eternal Love

Popy can - Eternal Love

Collage and painting on bronze
33 x 13 x 13 cm I 12 x 5 x 5 in
Unique

VINZARTH

New York

Anamorphosis

80 x 100 x 12 cm I 31,5 x 39,3 x 4,7 inches

Porte

Anamorphosis

40 x 100 x 18 cm I 15,7 x 39,3 x 7 inches

Telephone Booths

Anamorphosis

41 x 86 x 18 cm I 16,1 x 33,8 x 7 inches

Versailles

Anamorphosis

60 x 118 cm I 23 x 46 inches

BIOGRAPHY

Vinzarth began to develop a passion for photography in the early 1980s. He specialized in the field of architecture and decoration. For ten years, a new universe opened up to him where he discovered and showcased buildings in spaces and landscapes modified by man according to precise and functional criteria.

Nostalgic for the continent, Vinzarth returns to France, under the sun of a small village near Monaco. During an exhibition, he discovers a painting from an inverted perspective. It was the click that made him want to create anamorphoses from his photos.

After a year of research on camera angles, subjects, digital computer graphics, editing and stitching, the first photographic anamorphoses become real. Attracted, initially, by the buildings and facades of towns, Vinzarth “anamorphoses” the art deco and Haussmannian districts of Nice. He will then work on aesthetic concepts such as the La Défense district in Paris, then on monuments such as the Louvre pyramid.

The desire to move away from reality and give free rein to his imagination now pushes him to create his own landscapes, in 3D, using colors, soils, materials of reality. Vinzarth revisits the urban landscape to create imaginary neighborhoods.

MARCELLO

Conquistador

Acrylic on canvas – 90 x 150 cm I 35 x 59 inches

Bugatti t31

Acrylic on canvas – 97 x 162 cm I 38 x 63 inches

BIOGRAPHY

“My painting is realistic or even hyperrealistic, most often with iconographic inclusions of automobiles that I put in all possible states and situations. Before starting to paint I examine variables as to the nature of the subjects painted, the shape of the main subject and its place within the painting. Each element in the frame has been considered and finally adopted for the space it occupies in relation to other elements already in place. ” – Marcello

Classic trip

Acrylic on canvas – 100 x 200 cm I 38 x 78 inches

Dark sea

Acrylic on canvas – 90 x 150 cm I 35 x 59 inches

Pure water

Acrylic on canvas – 90 x 150 cm I 35 x 59 inches

Trip op

Acrylic on canvas  – 90 x 150 cm I 35 x 59 inches

Gas monkey

Acrylic on canvas – 97 x 155 cm I 38 x 61 inches

SURAUD

La muse

Oil on canvas – 97 x 146 cm I 38 x 57 inches

Amalgame vénitien

Oil on canvas – 73 x 116 cm I 28 x 45 inches

Souvenirs

Oil on canvas – 167 x 97 cm I 65 x 38 inches

Grand galop

Oil on canvas – 130 x 97 cm I 51 x 37 inches

BIOGRAPHY

Roger SURAUD was born on October 31, 1938 in Saint Etienne, and died in June 2016.
Son and grandson of a sculptor, he was directed to training as an architect and won the first architecture prize from the Ecole des Beaux Arts for two consecutive years. But Roger Suraud did not resist the call of painting, and began exhibiting his paintings in various European salons from 1964.
Undisputed leader of philosophical painting, Suraud is one of the greatest masters of his time. His work, which expresses the eternal questioning of Man in relation to his creation, is an invitation to dream and meditation. Powerful and romantic, his paintings show us Man through his history; artistic, cultural, and spiritual. Suraud rewrites civilization, in its glory and its excess.
Suraud’s canvases appear in many private collections both in France and abroad (Europe, Asia, USA, Saudi Arabia, Morocco, Canada, etc.).

Le ballet

Oil on canvas – 100 x 81 cm I 39 x 31 inches

Soirée de gala

Oil on canvas – 73 x 60 cm I 28 x 23 inches

Folie

Oil on canvas – 100 x 81 cm I 39 x 31 inches

Les mystères de Venise 2

Oil on canvas – 97 x 146 cm I 38 x 57 inches

Le carnaval

Oil on canvas – 97 x 162  cm I 38 x 63 inches

Symphonie

Oil on canvas – 97 x 146 cm I 38 x 57 inches

La bibliothèque

Oil on canvas – 73 x 60 cm I 28 x 23 inches

Masques

Oil on canvas – 60 x 60  cm I 23 x 23 inches

Le violon

Bronze sculpture – hauteur 56 cm I height 22 inches

ARMAN

Guitare Portguaise (Abacal)

Guitare Portguaise (Abacal)

Bronze
90 x 31 x 10 cm I 35 x 12 x 3 in

Available

Arman - accumulation de vis

Accumulation de vis

Mixed media
40 x 30 x 5 cm I 16 x 12 x 2 in

Available

Arman - Sliced Figure with Cello

Sliced figure with cello

Bronze
138 x 55 x 41 cm I 51 x 21 x 16 inches

Available

Arman - Inclusion de tubes de peinture

Inclusion de tubes de peinture

Inclusion and resin
52 x 35 x 6 cm I 20.5 x 14 x 2 in

Available

BIOGRAPHY

|ARMAN|

ARMAN is a recognized artist with more than 500 personal exhibitions dedicated to him. He has conducted research concerning our sentimental relationship to the object, its attachment to it, its accumulation, as well as its destruction, as seen in his series of charred violins

Armand Pierre Fernandez was born on November 17, 1928, in Nice and grew up in his father’s antique store. A brilliant student, he began painting at the age of 10 and joined the School of Decorative Arts in Nice in 1946. At 19, he met Yves Klein and Claude Pascal, who would become his two closest friends. It was the beginning of an exalted youth, his interest in philosophy and the arts of the Far East led him to the Louvre school in Paris in 1949.

Returning to Nice in 1951, his attraction to painting became clearer, under the influence of the Russian painter Serge Poliakoff and Nicolas de Staël. He decides, like Vincent Van Gogh, to sign with his first name: Armand. Influenced by the works of Kurt Schwitters and Jackson Pollock, he tried his hand at stamping and exhibited the first in Paris in 1956. In 1958, during an exhibition at Iris Clert’s, the painter noticed an error imprint on the invitation card: Armand was written without “d”) and it will become his signature.

Bougeoir aux Cuillères

Bronze
35 x 43 cm I 13 x 16 in

Available

Le Gambit

Resin
42 x 27 x 27 cm I 16 x 10 x 10 in

Available

Arman - Inclusion Petits ponts

Inclusion Petits Ponts

Inclusion and resin
42 x 29 x 9 cm I 16.5 x 11 x 3,5 in

Available

Violon à Venise

Bronze
70 x 30 x 12 cm I 27 x 11 x 4 in

Available

Ukulele

Bronze
31 x 35 cm I 12 x 13 in

Available